finire  Microtext 4, Medusa’s Laugh Press (Upcoming--2019)

How to stop asking about variables and instead notice function 
 Wilda Morris's Poetry Challenge (September 30th, 2018)

Three Faces of Joan — Cultura Colectiva + (May 11th, 2018)

senses getting fired
that moment
 — Cultura Colectiva + (May 11th, 2018)

sky lies — Cultura Colectiva + (May 11th, 2018)

refraction — Cultura Colectiva + (May 11th, 2018)

Beginning — Cultura Colectiva + (March 9th, 2018)

impression as expression
polite to stare — Cultura Colectiva + (March 9th, 2018)

once a month — horny poetry review (December 25th, 2017)

Line of Fucking — Punch Drunk Press (December 1st, 2017)

1. When I is said, what’s pointed at? –– MUSH/MUM Issue #4 (March 1st, 2017)

It’s easy not to think about when you’re not thinking about it –– Rat’s Ass Review Vol. 3, Issue 2 (2015)

‘noticeably bare’
‘sparkling red wine’
‘now what is the word for it?’ — ginosko Issue #15 (Summer/Fall 2014)

In an attempt to rationalize…
sounds and silence — Down in the Dirt (Mar/Apr 2014)

The Worlds — Semaphore Magazine (December 2007)


Why The Characters In "La Casa De Papel" Are Feminist Icons — Cultura Colectiva + (December 20th, 2018)

Language Is Skin Deep–A Glance at Metaphorical Beauty
-Beauty Around the World: A Cultural Encyclopedia (2017)

The Necessity of Tragedy—How What Goethe Played with is Still Entirely Relevant — Empty Mirror Books (October 10th, 2014)

At the End of the Day –– The Campus Clipper (April 28th, 2014)

Reading 'The Unnamable' –– The Campus Clipper (April 12th, 2014)

The First Time You Meet The Text –– The Campus Clipper (February 27th, 2014)

You not only have to be there, you have to act there –– The Campus Clipper (February 20th, 2014)

Constructing A Text –– The Campus Clipper (February 7th, 2014)

Reading From The Outside –– The Campus Clipper (January 30th, 2014)

All poetry and prose © Marina Manoukian